“I still think that science is looking for answers and art is looking for questions.”
Marc Quinn (B. 1964) is a leading British contemporary artist known for exploring the human body in a Surrealist manner. He first came to prominence in the early 1990s, when he and several peers redefined what it was to make and experience contemporary art. Quinn makes art about what it is to be a person living in the world – whether it concerns Man’s relationship with nature and how that is mediated by human desire; or what identity and beauty mean and why people are compelled to transform theirs; or representing current, social history in his work. His work also connects frequently and meaningfully with art history, from Modern masters right back to antiquity. (Read More)
Quinn came to prominence in 1991 with his sculpture Self (1991), a cast of the artist’s head, made entirely of his blood, which is frozen and kept at sub-zero temperatures by its own refrigerated display unit. It is the purest form of self-portrait (being of the artist – both in appearance and material) but also a comment on Man’s need for infrastructure, as the sculpture is kept ‘alive’ only by a mains electricity supply. This symbolism can be substituted for other forms of dependence, not least addiction – something the artist experienced early in his career.
Major public installations include 1+1=3 (2002), a 20-meter artificial rainbow created for the Liverpool Biennale; Planet (2008), a monumental rendition of the artist’s son as a baby, permanently installed at The Gardens by The Bay Singapore, and Alison Lapper Pregnant (2005), a fifteen-ton marble statue of the heavily pregnant and disabled Alison Lapper, exhibited on the fourth plinth of London’s Trafalgar Square and later reinvented as a colossal inflatable sculpture, Breath (2012), for the 2012 Paralympics opening ceremony. Quinn is also well known for his hyperrealist oil paintings of flowers and photorealist paintings of irises, created using an airbrush.He has exhibited internationally in museums and galleries including Tate Gallery, London (1995); South London Gallery, (1998); Kunstverein Hannover, Germany (1999); Fondazione Prada, Milan, Italy (2000);Tate Liverpool (2002), National Portrait Gallery, London (2002), MACRO, Rome (2006); Fondation Beyeler, Basel, Switzerland (2009); Goss-Michael Foundation, Dallas, Texas (2009); Musée Océanographique, Monaco (2012); Fondazione Giorgio Cini, Venice, Italy (2013); and Arter, Space for Art, Istanbul, Turkey (2014); and Somerset House, London (2015).